Penetration moving targets

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Penetration – Moving Targets

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Moving Targets - Penetration | Songs, Reviews, Credits | AllMusic

Buoyed by the sheer magnificence of their "Don't Dictate" debut single, Penetration 's debut album stands among the very last true greats of the first wave of British punk offerings. A glorious collision of adrenalized exuberance and astonishing energies, topped by Pauline Murray 's unmistakably soaring vocals, Moving Targets wrapped 11 tracks across its two sides of vinyl, and it was the greatest indication of their quality that it wasn't till you reached the end that you realized "Don't Dictate" itself was absent. In its stead, "Stone Heroes," the explosive "Movement," and the swirlingly atmospheric "Vision" were all classics in the making, while a cover of Patti Smith 's "Free Money" is simply spellbinding, crunchier than the original but more emotive, too. And then there's the opening bars of the title track, a hilarious reminder of how fast things were changing back then -- it's the Pistols ' "Holidays in the Sun," and doesn't it sound old-fashioned! All of which illustrates the sheer versatility bound up in the band. In another lifetime, they could have given the likes of Led Zeppelin and Deep Purple a run for their money, at least in terms of demonstrating dexterity, and it was Penetration 's bad luck that they were riding a wave that had little time for such abilities.
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We perhaps started off like that but we always used to push the envelope musically. Our albums were always more melodic and musical than what you would class as an archetypal punk band. Although some would say the 27 second guitar solo on Lover of Outrage goes beyond the rules of punk! Like many others, Pauline got into punk after seeing the emerging American talents at gigs: The Ramones, Blondie, The Runaways and Patti Smith all played gigs in Northern England, where the year old Murray would attend with her older boyfriend. Following a chance meeting with guitarist Gary Chaplin, Murray agreed to sing with his newly-formed band.
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Imagine, if you will, the band Penetration, en route to its album-securing gig at The Marquee in , being swallowed by a hole in time and space and being spat out on a stage in They play their set, walk off to applause, etc. Probably it would not. As the latest edition of 'Moving Targets' notes in its liners, Penetration was inspired by the punk explosion, started off covering the Ramones, the Modern Lovers and New York Dolls, and swiped their name, via a fanzine title, from Iggy and The Stooges.
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